When the goal is to bring cinema-grade sound into the living room without filling it with separate speakers, spatial audio is the benchmark. Spatial audio is the technique of reproducing sound so that it appears to come from specific points around, above and behind the listener rather than from a single source. It uses object-based audio formats such as Dolby Atmos and specialised speaker arrays to position sounds in three-dimensional space.
The sensation is not merely louder or fuller sound. It is the precise placement of instruments, dialogue and effects so you can feel where sound originates in a scene. For anyone who cares about fidelity, timing and the emotional impact of accurate audio placement, spatial audio has become the single most important feature to evaluate when choosing a soundbar.
Bang & Olufsen’s Beosound Premiere is a landmark product because it treats spatial audio as the primary design brief, not an add-on. The Premiere combines a compact, sculptural aluminium body with ten custom drivers and ten individual amplifiers, a dedicated upward-firing driver and a new signal-processing suite the company calls Wide Stage Technology.
Those elements work together to create a soundfield that extends far beyond the physical boundaries of the cabinet, giving a convincing sense of height and width even in small rooms. The technical choices behind the Premiere are not theoretical. They translate into accurate directionality, cleaner dialogue and music that breathes.
What spatial audio actually means for your listening
To appreciate what the Beosound Premiere does, it helps to separate two common misunderstandings. First, spatial audio is not simply more bass or a larger volume range. It is about the placement of discrete sound objects within a three-dimensional soundstage. Second, convincing spatial presentation relies on two things: hardware capable of directing sound energy precisely, and processing that maps the audio objects to those hardware elements in real time.
The Premiere’s arrangement of front, side and upward-firing drivers, combined with Wide Stage signal processing, achieves both. The result is a coherent soundstage where reverb tails, ambience and movement maintain their intended positions. That makes action scenes in films more immersive, live recordings more convincing and binaural or Atmos-encoded music much closer to what the producer intended.
Why the Beosound Premiere stands apart
There are three areas where the Premiere distinguishes itself. The first is engineering detail. Bang & Olufsen has chosen a ten-driver layout with a bespoke amplifier channel for each driver. That degree of per-driver control allows the Premiere to shape beams of sound and manage reflections in ways that simpler designs cannot.
The second area is the company’s Wide Stage Technology. This is not a marketing catchphrase. It is a tailored combination of driver arrangement, phase alignment and digital signal processing designed to expand perceived width and height while preserving tonal balance. The third area is integration and expandability. The Premiere supports Dolby Atmos and can be used as the core of a broader BeoLink surround system, which means it can operate as a standalone high-performance soundbar today and grow into a full home cinema solution tomorrow.
Design and materials that matter to sound
Bang & Olufsen’s approach to industrial design is practical as well as aesthetic. The Premiere’s body is crafted from precision-machined aluminium. That is not an indulgence. A rigid, well damped enclosure reduces unwanted resonances and keeps the drivers under precise control. Even the visible up-firing tweeter is housed with deliberate intent; it acts as a focal point for both the sound dispersion and the product’s visual identity.
A further, somewhat unexpected feature is a subtle LED array that ties visual feedback to playback, creating an interplay of light and sound that makes the product feel alive. For buyers who care about how a piece of technology looks in a living space, the Premiere refuses to be invisible in the best sense: it becomes a considered object that complements interiors while delivering uncompromised audio performance.
How the Premiere performs with music and movies
Spatial audio enhances both music and film, but the way it does so differs. For movies, height channels deliver overhead rain, aircraft, and ambience with realism. The Premiere’s upward-firing elements and Wide Stage processing allow effects to occupy the room overhead without sounding diffuse. That clarity improves localisation of on-screen effects, which in turn sharpens the emotional thrust of suspense or the impact of explosions.
For music, spatial audio can restore a sense of venue. Live albums, orchestral recordings and Atmos-mixed tracks acquire depth and separation so instruments and voices sit in distinct, believable positions. The Premiere is intentionally voiced to preserve musical naturalness while offering the immersive benefits of object-based mixes. Early reviews from experienced outlets praise the balance of immediacy and space the Premiere delivers, a rare trait in a single cabinet soundbar.
Is it worth the premium?
At its price point, the Beosound Premiere sits in the upper echelon of home audio. That positioning will prompt questions about value. For buyers who measure value by fidelity, longevity and aesthetic coherence, the Premiere delivers an investment that pays in day-to-day enjoyment and long-term satisfaction. The fit and finish, aluminium construction and the option of a limited Haute Edition underline a manufacturing philosophy that favours permanence over planned obsolescence.
Technically, the Premiere’s combination of multiple drivers, per-channel amplification and Wide Stage processing is difficult to replicate in less expensive products without compromise. For households that prize exceptional sound and considered design, it is a clear example of where expenditure yields a tangible improvement in experience.
Spatial audio realised
Spatial audio has shifted from a buzzword to a defining feature of modern home audio. The Beosound Premiere is important because it treats the concept seriously at every level: acoustic, electronic and material. The engineering behind the drivers and amplifiers, the mathematics of the Wide Stage processing and the craftsmanship of the aluminium body combine into a holistic product.
If your priority is to hear content as creators intended and to feel placed at the centre of a three-dimensional soundstage, the Beosound Premiere is the clearest route to that result within a single, beautifully made cabinet. For anyone seeking the best soundbar money can buy, and for those who want spatial audio to be more than an option, the Premiere is a persuasive choice.
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